1977-2010 Photo Survey

 

 

Group Sculpture 2009  Earthenware coil, burnished terra sigillata.  Polished with bee's wax.   Created at Silica Studios 2009, Palm Springs, California. 

 Photo courtesy Dona Vanden Heuvel

 

Click on a thumbnail image to enlarge

  A   B   CC2

Burnished sculpture forms Cone 06 2009=10  Earthenware slab/coil, construction.  Terra sigillata UG paint and sprayed oxides. Cone 06

  D  E F G H

Ceramic "Orb" Series 2008-2009.  H thru J  Earthenware slab/coil construction and fired to cone 06 Terra sigillata burnished with river stone.

       I    K  L   M    O

Slab-coil construction Stoneware oxide stains.  2008

 

Ceramic vessels 2006-7.  Slab/coil construction, carved and glazed.  Reduction fired to cone 10- Courtesy: Edenhurst Gallery

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Ceramic sculpture: Site specific 1982  Slab and coil construction. Stoneware clay with oxide stains. Reduction fired to cone 10. No.1 and 4 in private collections.

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Ceramic vessels 1985:  Slab/coil construction. carved and glazed.  Earthenware with layered metallic bronze and pewter glazes cone 04. Final luster glaze cone 019 Courtesy: Space Gallery.

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Ceramic Sculpture: "Concretus Series" 1989:  Three sections.  Coil/Slab construction.  Colored clays and  bronze metallic glaze.  Earthenware cone 04. Courtesy: Space Gallery.

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Ceramic "Anti-Vessel" Series  1980: Slab/coil construction.  Earthenware.   Textured and overglaze stains and metallic oxides.  Multiple firings at cone 04. Courtesy: Space Gallery.

 

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Slab/Coil "Matrix" series. 1981-1982  No. 14 and 16 in private collections

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Slab/Coil series.  1977 Courtesy: Space Gallery  No. 18 and 19 in private collections.

 

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No. 21-SPACE Gallery, Los Angeles, CA.  Installation 1987.  Ceramic sculpture from the solo exhibition.  White unglazed earthenware fired in sections and assembled on an armature. "Concretus" Series.

The above examples are in private collections:  Image No. 1, 4, 5, 6, 7, 9, 10, 11, 13, 14, 16,18,19, and 20.

 

 

 

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LLA Artcore  Center Gallery 120 Judge John Aiso St. Los Angeles, CA "Robert Glover: A Survey of Work"  October 1999

 

Artist's Commentary 1998: "I was drawn to the puissant elegance of totems. Using varied clay forms combined to create a visual syntax, bringing to mind stacked  stone monoliths, which are both precarious and potent. The resultant pilaster has the uneasy feeling of imbalance we experience while standing on one leg (monopeds). By using the juxtaposition of sensual and symbolic, my intention is to articulate the conceits of balance through tension and articulation.. These sculptures are formed by using a variety of techniques, such as slab, coil and press-molds. The glazing and firings are multiple and layered. The sculptures are the result of stacked forms supported on a steel armature and secured to a base. 

A survey covering 22 years of Glover's work was presented by LA Artcore Center at Union Center for the Arts, 120 Judge John Aiso Street <Little Tokyo> in Los Angeles.     Website: http://www.laartcore.org   Phone 213.617.3274                FAX 213 616.0303 

 

File Update:07-06-2010